This eclectic soiree of books is pretty symbolic of my reading taste – as long as it’s extraordinary, or larger than real life, I’m there for it. I moved to London when I was 22, to undertake my Masters at Shakespeare’s Globe, and after living in a small village, followed by a small university town, it really did feel like arriving at the centre of the universe. I love books that capture the way the spirit of London – its strange, anarchic, punkish, dangerous, and historic forms – can shape a woman into the person she is meant to be. That was what I wanted to capture with The Hourglass Factory’s heroine Frankie George.
Oh Fevvers - "Lor love you!" The opening words of this book chime in my heart like the bow bells. Sophie Fevvers, trapeze artist, Cockney Venus - face like a ‘meat dish,’ Fevvers who keeps her champagne in a cracked toilet bowl, on discarded fish ice from Billingsgate market. As the protagonist in Angela Carter’s magical realist masterpiece, Nights at the Circus, Fevvers lives and breathes London. London is in her nails and her hair, her bum, her voice, her attitude, and most of all in her history – she was hatched from an egg in a London brothel. Fevvers is the ultimate London heroine, shaped by the city’s grime, beauty, vulgarity, and kindness, and she carries London with her even when in the furthest reaches of Siberia. This is one of those books driven like a steam train by its central character, and I still remember where I was during each and every reading and re-reading of it.
Winner of the James Tait Black Memorial Prize for fiction
From the master of the literary supernatural and author of The Bloody Chamber, her acclaimed novel about the exploits of a circus performer who is part-woman, part-swan
Sophi Fevvers-the toast of Europe's capitals, courted by the Prince of Wales, painted by Toulouse-Lautrec-is an aerialiste extraordinaire, star of Colonel Kearney's circus. She is also part woman, part swan. Jack Walser, an American journalist, is on a quest to discover Fevvers's true identity: Is she part swan or all fake? Dazzled by his love for Fevvers, and desperate for the scoop of…
Sure, Dickens wrote some great books about London, but the female characters almost always play second fiddle to the males. Enter Sarah Waters, swinging open the door on a dark and powerful city where the women’s stories are every bit as knotty and heart-rending as those of Dickens’ boys.
Sue Trinder, Fingersmith’s heroine, is a perfect product of underground London, daughter of a criminal hanged at Horsemonger Gaol, bred in a baby farm, ducker, and diver of back alleys, pickpocket in a loving, ramshackle family. Without giving too much away about this wonderful book – I will never forget literally jumping up off the sofa at the twist – Waters cleverly riffs on the theme of nature/nurture, all the while layering her ideas on the plot of an exquisitely crafted thriller. One of the most outstanding books I’ve ever read and hands down my desert island crime novel.
“Oliver Twist with a twist…Waters spins an absorbing tale that withholds as much as it discloses. A pulsating story.”—The New York Times Book Review
Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.
One day, the most beloved thief of all arrives—Gentleman, an elegant con man,…
Though I am committing one of the greatest spoiler crimes in book-herstory by including Orlandoon this list, how could I not?
I always remember the line towards the end, when Orlando is standing in a department store: "Someone lights a pink candle and I see a girl in Russian trousers." It alludes to her (and our) memory of the earlier glorious Thames frost scene, where Orlando first falls in love with Russian Princess Sasha. Like Orlando, we all walk among the ghosts of London's history, and our own history, and a single trigger can catapult us into the past.
Woolf described this book as a "writer’s holiday," and a (male) friend of mine once called it "froth." Thank goodness contemporary scholarship has been busy dismantling that notion. It’s one of the richest, most poetic, mind-bending books you’ll ever have the pleasure to lose yourself in.
HarperCollins is proud to present its new range of best-loved, essential classics.
'The flower bloomed and faded. The sun rose and sank. The lover loved and went. And what the poets said in rhyme, the young translated into practice.'
Written for her lover Vita Sackville-West, 'Orlando' is Woolf's playfully subversive take on a biography, here tracing the fantastical life of Orlando. As the novel spans centuries and continents, gender and identity, we follow Orlando's adventures in love - from being a lord in the Elizabethan court to a lady in 1920s London.
The three main Pankhurst players in the Suffragette movement – Emmeline and two of her children, Christabel and Sylvia – all wrote accounts of the era. But Sylvia’s is arguably the most comprehensive and objective. The book starts out as a memoir of the Pankhurst family’s early life – their humble beginnings, their journey to political activism – and Pankhurst does not shy away from the gory details of militant suffragette activity. But she is also not afraid to chronicle divisions in the movement, both among the different factions of the WSPU, and between the WSPU and the Labour party, who eventually chose to support working men’s rights above those of women. Sylvia Pankhurst has emerged from the period as the most egalitarian of its heroines, after leaving the main WSPU branch to focus on the cause of working-class women. It’s a tome, but a worthy read.
“The Suffragette Movement - An Intimate Account Of Persons And Ideals” is a 1931 work by E. Sylvia Pankhurst. In this volume, Pankhurst aims to describe the events and experiences of the movement, as well as the characters and intentions of those involved. In this fascinating volume, Pankhurst shows the strife, suffering, a hope behind the pageantry, the rhetoric, and the turbulence of the time. Highly recommended for those with an interest in the British suffragette movement and worthy of a place on any every bookshelf. Contents include: “Richard Marsden Pankhurst”, “The Rise of the Women's Suffrage Movement”, “Emmeline Goulden”,…
When researching the newspaper angle of my book, I was already aware of the exploits of Nellie Bly, the New York-based pioneer of investigative, undercover journalism. But I wanted to try and track down a journalist who had achieved similar feats in late Victorian and Edwardian London. Enter Elizabeth Banks, an American journalist who emigrated to London at the turn of the century, and plied her trade as a freelancer, selling exposes on the lives of parlour maids, laundry workers, and flower sellers to the likes of The Illustrated London News. Pluck doesn’t even come close to covering her bravery and bravado – some memorable details from her book include her smuggling a camping stove into a London hotel because she couldn’t afford the dining room food, and pestering editors up and down Fleet Street to publish her words. She was a true entrepreneurial London woman, at a time when women were still considered ‘angels of the hearth.' She deserves to be better known.
The suffragette movement is reaching fever pitch but for broke Fleet Street tomboy Frankie George, just getting by in the cut-throat world of newspapers is hard enough. Sent to interview trapeze artist Ebony Diamond, Frankie finds herself fascinated by the tightly laced acrobat and follows her across London to a Mayfair corset shop that hides more than one dark secret.
When Ebony Diamond mysteriously disappears in the middle of a performance, Frankie is drawn into a world of tricks, society columnists, corset fetishists, suffragettes and circus freaks. How did Ebony vanish, who was she afraid of, and what goes on behind the doors of the mysterious Hourglass Factory?
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus atUW-Milwaukee, booking thousands of concerts across Wisconsin and the Midwest, and opening Shank Hall, the beloved Milwaukee venue named after a club in the cult film This Is Spinal Tap.
Jest established lasting friendships with John Prine, Arlo Guthrie, and others, but ultimately, this book tells a universal story of love and hope…
We Had Fun and Nobody Died: Adventures of a Milwaukee Music Promoter
The entertaining and inspiring story of a stubbornly independent promoter and club owner
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus at UW–Milwaukee, booking thousands of concerts across Wisconsin and the Midwest, and opening Shank Hall, the beloved Milwaukee venue named after a club in the cult film This Is Spinal Tap.
This funny, nostalgia-inducing book details the lasting friendships Jest established…